7:00 PM
| Date: | October 30, 2026 | 19:00 (Fri) |
|---|---|
| Venue: | Prague State Opera |
| Duration: | 110 minutes |
| Intermission: | No |
| Status: | Available |
| Reviews: | (5) |
Ticket in your mobile device accepted
Don't miss this double-bill performance in the Prague State Opera
The performances pay homage to George Balanchine, one of the most influential 20th-century choreographers, considered the founder of neoclassical ballet. The production features his Brahms-Schoenberg Quartet and Who Cares?, both created for the New York City Ballet.
Brahms-Schoenberg Quartet (1966) is Balanchine’s very first abstract work. The choreographer used to say that chamber music was not suitable for large-scale ballets, since chamber pieces are usually “too long, with too many repeats, and are meant for small rooms”. Back in the 1930s, Arnold Schoenberg orchestrated Johannes Brahms’s Piano Quartet No. 1 in G minor, voicing similar dissatisfaction. In a letter to the San Francisco Chronicle music critic Alfred Frankenstein, he explained the reasons for having done so: “1. I like the piece. 2. It is seldom played. 3. It is always very badly played, because the better the pianist, the louder he plays, and you hear nothing from the strings. I wanted once to hear everything, and this I achieved.” Balanchine opted for Schoenberg’s version. His Brahms-Schoenberg Quartet is a dynamic one-act ballet for 55 dancers in four parts (in line with the four movements of Brahms’s quartet), each possessing a particular mood, style and charge.
Choreographed to George Gershwin’s music, the 40-minute neoclassical ballet Who Cares? is one of George Balanchine’s most joyous works. Its title is identical with that of one of the featured songs, written by George and Ira Gershwin for their 1931 musical Of Thee I Sing. “The best of Gershwin songs maintain their classic freshness, like an eternal martini – dry, frank, refreshing, tailor-made, with an invisible kick from its slightest hint of citron,” wrote Lincoln Kirstein, co-founder of the New York City Ballet. Robert Sealy of Ballet Review said: “This fast-stepping, cheeky ballet evokes the lively spirit of Fred Astaire, Ginger Rogers and the 1930s, and portrays an exuberance that is broadly American and charged with a distinctive energy. Who Cares? is wonderful. Never in a theatre have I wanted so much to jump the moat and join in. It is pure, unmitigated, uncut joy.”
Performing:
State Opera Soloists
State Opera Orchestra
Important:
- The purchased tickets cannot be returned or exchanged
- No discounts are provided
- Theatre is a cultural institution. Please respect the common principles of appropriate behaviour and clothing.
- The program may be subject to change
- The price includes a service fee of 3,7 € (100,- CZK)
Venue photo gallery
Prague State Opera
| Address: | Wilsonova 4 , Praha 1 |
|---|---|
| Capacity: | 989 |
| Type: | Theatre |
| Winter heating: | Yes |
| Wheelchair access: | Yes |
Prague State Opera is one of the most important music scenes in Europe & one of the stages of The National Theatre
Visit the recently re-opened and newly refurbished grand opera house with a noteworthy history where many world renown artists have worked here making each performance a prime cultural event.
History:
This Neo-classical edifice was built in 1883 by the German Theatre Association as a reaction of German minority in Prague to the opening of the Prague National Theatre. As the New German Theatre it soon gained international acclaim for its inovative repertoire and artistic leadership including such names as Angelo Neumann, Alexander Zemlinski or Georg Szell.
Nowadays, famous operas, as well as pieces unjustly overlooked or unknown in the Czech Republic are introduced in the State Opera gaining the theatre a reputation of one of the best European scenes where you can enjoy watching mainly opera and ballet performances.
How to get there:
- Accessibility by public transport:
metro A (green line) or C (red line) - Muzeum station - Nearest car parking:
Garage Museum, Wilsonova 732/6, Prague 1
Please note:
- There is a screen with subtitles in each seat
Daniela Bauer | June 30, 2026 | 19:00 (Tue)
Simon Delia | June 30, 2026 | 19:00 (Tue)
Très beau spectacle
Rafael Morgulis | June 27, 2026 | 19:00 (Sat)
Simply wonderful! Excellent ballet, performers, costumes, orchestra. We had a lot of fun. Strongly recommend!
Caoimhe Brady | June 21, 2026 | 15:00 (Sun)
Ballet was breathing taking. Performers are so talented
CAN BULUBAY | June 18, 2026 | 19:00 (Thu)
It was a flawless performance.


