- Max Reger (1873 - 1916)
Prelude op. 59, No. 1
Pastorale op. 59, No. 2
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Dietrich Buxtehude (1637 - 1707)
Komm, Heiliger Geist BuxWV 200
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Max Reger (1873 - 1916)
Intermezzo op. 59, No. 3
Canon op. 59, No. 4
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Johann Sebastian Bach (1685 – 1750)
Leipziger Chorale
Fantasia super: Komm, heiliger Geist, Herr Gott BWV 651
Fugue in C minor BWV 546
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Max Reger (1873 - 1916)
Komm, komm du Geist des Lebens op. 67, No. 22
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Marie Zahrádková (*1987)
Improvisation on theme Fiery languages
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Jan Jirásek (*1955)
Symbiosis
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Jürgen Essl (*1961)
Reple corda
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Max Reger (1873 - 1916)
Toccata op.59, No. 5
Fugue op.59, No. 6
She studied organ and piano at the Music Conservatory in České Budějovice (Budweis) and continued her studies at the Academy of the Performing Arts in Prague with Jaroslav Tůma. She is doing her postgradual studies in Konzertexamen at Staatliche Hochschule für Musik und Darstellende Kunst in Stuttgart – organ with prof. Jürgen Essla and 2nd main specialization harpsichord with prof. Jörg Halubka (since 2014). She won the 1st prices at the International Organ Competition Joseph-Gabler Orgelwettbewerb (2012) and at the Improvisation Competition Lions Club Musik-Wettbewerb (2014) in Stuttgart.
She gained Honorable Mention at the International Prague Spring Festival. She won the 1st prize at the competition of Bohuslav Martinů Foundation for the best performance of the works by Bohuslav Martinů in 2016 (harpsichord). She has participated at many interpretation courses. She has regularly concerts in the Czech Republic, Germany, Italy and France. She also improvises to films and cooperates with such orchestras as FOK, BERG, Concertem Köln and SWR2.
She worked as an organist in 4 churches in Stuttgart, cooperated with many choirs and dealt with Gregorian chant in České Budějovice for 5 years. She is an organist at Svatá Hora (since 2017) and also works as an organ teacher at the Music Conservatory in České Budějovice.
The Molzer organ, containing 4,500 pipes, offers the listener a rich, romantic sound. Since the St. Vitus Cathedral is used only for liturgical and touristic purposes, this festival is a unique opportunity to hear the full capacity of this instrument.