Precious few ballets occupy a position in the history of art as extraordinary as that of La Sylphide. A ground-breaking work applying a novel dance technique, with the heroine being a spirit clad in a mousseline costume with wings, it shows audiences an entirely different universe, inhabited by magical supernatural beings, a world reflecting desire and dream. The ballet La Sylphide centres on the clash between the real and the unreal, depicting destructive love and extreme emotions.
Johan Kobborg’s La Sylphide has been staged at numerous prestigious theatres worldwide. Premiered by The Royal Ballet at Covent Garden in London in 2005, it earned Kobborg a nomination for the coveted Laurence Olivier Awards. Highly acclaimed too was the ballet’s 2008 Bolshoi Theatre production, which received three Golden Mask 2009 nominations (Best Production, Best Choreographer and Best Dancers categories). In 2014, the ballet’s production in Romania was branded as “Achievement of the Year”. Kobborg’s La Sylphide has also been presented by the Ballett Zürich, the Lithuanian National Ballet, the National Ballet of Canada and the Atlanta Ballet. In 2023, it is scheduled to be staged by the Sarasota Ballet, Florida.
The Bournonville phenomenon is timeless. A unique, singular style, which has remained virtually unchanged since its inception, it has been treasured and nurtured in Denmark. The technique has made an impact on classical dance and the ballet repertoire, the approach to direction and staging, as well as dance training. The Bournonville idiom differs from the other ballet styles by its encompassing special enchaînements. Its main principles include that the dancers should perform with natural grace, levity and harmony between the body and music.